The Dancer Has His Ear in His Toes: A Phenomenological Interrogation of Place
Much of the debate that surrounds sustainable development focuses upon the physical manifestations of architecture, leaving the cultural and semiotic dimensions largely undisturbed. Furthermore, such narrow debate largely mitigates the opportunity to explore how developing an understanding of ancient ways of making place might inform our design responses today.
In our contemporary globalised, homogenised world, the specificity of ‘place’ is almost entirely understood through the visual realm. Such mono-perception encourages a superficial understanding of the particularity of place. The hypothesis that underpins paper suggests that through the adoption of a culturally neutral phenomenological methodology, a profound, perhaps sublime understanding of the particularity of particular place can emerge, engaging with culture, climate and indeed meaning.
The objective of this analysis is to inform, through multi-perceptual and deep understanding, contemporary approaches to making place in the built environment. Such approaches, will by default be sustainable, as they implicitly acknowledge the deep layers of sediment of culture, climate and meaning; providing a language for appropriate contemporary development.
The paper will focus upon a phenomenological interrogation of the Sheik Isa House in Muhharaq, Bahrain, an example of particularity in a complex and ancient cultural paradigm with extreme climatic conditions.
This analysis will provide an exemplar of the value of such methodology and extend the debate that surrounds sustainable development, engaging with dimensions as yet, largely unrecognised but paradoxically central to the argument of how we built appropriate tomorrows.
Keywords: Sustainable Architecture, Architectural Theory, Philosophy, Phenomenology
Roger Tyrrell
Principal Lecturer, School of Architecture, University of Portsmouth
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Ref: S09P0273