Photographing Locals: An Exploration of The Effects of Tourist Photography on Host Communities
Using the case study of Peru, this paper explores the effects of tourist photography on the socio-cultural frameworks of host communities. For many decades authors (see for example Sontag, 1976, Baederholt, 2006, Chalfern, 1989, Crang, 1999) have recognized the fundamental role of photography within tourism. However, despite references to the photograph as a tool for consuming and constructing in the tourist experience, little attention has been afforded to the effects of such practice (see Cohen et al, 1992). This paper unpacks the complexities of the seemingly fleeting relationships between tourists and local residents that emerge during photographic encounters as local residents can become photographed subjects and objects of the tourist gaze. In seeking to bridge the perceptions and experiences of both tourists and local residents, the paper is composed of two parts. First, it explores not only the key driving factors underpinning tourists’ desire to photograph local residents and the complexities of ethical considerations that emerge during photographic encounters, but situates such practice alongside tourists’ understanding of the downstream effects of their photographic demands. Secondly, the local resident perspective is explored as the paper considers the opportunities of (dis)empowerment and (in)dependency that can emerge through tourists’ photography and questions the role of such practice in sustaining spaces of exclusion and potentially reinforcing unsustainable social practices in local communities. Thus, it unpacks potential spaces of contestation and/or engagement that emerge between tourists and local residents during the immediacy of the photographic encounter.
Keywords: Tourist, Photography, Host Communities, Local Residents, Socio-Cultural Frameworks
Dr. Caroline Scarles
Lecturer in Tourism, School of Management, University of Surrey
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Ref: S09P0176